[1]
Detsi-Diamanti, Z. 2007. Burlesquing "Otherness" in Nineteenth-Century American Theatre: The Image of the Indian in John Brougham’s Met-a-mora; or, The Last of the Pollywogs (1847) and Po-Ca-Hon-Tas; or, The Gentle Savage (1855). American Studies. 48, 3 (Sep. 2007), 101–124. DOI:https://doi.org/10.1353/amsj.v48i3.3135.