DETSI-DIAMANTI, Zoe. Burlesquing "Otherness" in Nineteenth-Century American Theatre: The Image of the Indian in John Brougham’s Met-a-mora; or, The Last of the Pollywogs (1847) and Po-Ca-Hon-Tas; or, The Gentle Savage (1855). American Studies, [S. l.], v. 48, n. 3, p. 101–124, 2007. DOI: 10.1353/amsj.v48i3.3135. Disponível em: https://journals.ku.edu/amsj/article/view/3135.. Acesso em: 30 apr. 2024.