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Z. Detsi-Diamanti, “Burlesquing ‘Otherness’ in Nineteenth-Century American Theatre: The Image of the Indian in John Brougham’s Met-a-mora; or, The Last of the Pollywogs (1847) and Po-Ca-Hon-Tas; or, The Gentle Savage (1855)”., AMSJ, vol. 48, no. 3, pp. 101–124, Sep. 2007, doi: 10.1353/amsj.v48i3.3135.