[1]
Gates-Madsen, N.J. 2008. Tortured Silence and Silenced Torture in Mario Benedetti’s Pedro y el capitán, Ariel Dorfman’s La muerte y la doncella and Eduardo Pavlovsky’s Paso de dos. Latin American Theatre Review. 42, 1 (Sep. 2008), 5–31. DOI:https://doi.org/10.17161/latr.v42i1.3285.