Echenberg, M. (2016). Forging Female Subjectivity on the Commercial Stage in the 1920s and ’30s: Three Plays by María Luisa Ocampo, Concepción Sada, and Alfonsina Storni. Latin American Theatre Review, 49(2), 127-145. https://doi.org/10.17161/latr.v49i2.7280