Baker, C. (2020) “Soundtrack of an (After)Life: Performing Transfemicide, Mourning, and Pop Music in La Prietty Guoman by César Enríquez”, Latin American Theatre Review, 53(2), pp. 5–31. Available at: https://journals.ku.edu/latr/article/view/13761 (Accessed: 30 December 2025).