[1]
C. Baker, “Soundtrack of an (After)Life: Performing Transfemicide, Mourning, and Pop Music in La Prietty Guoman by César Enríquez”,
LATR, vol. 53, no. 2, pp. 5–31, May 2020, Accessed: Aug. 21, 2025. [Online]. Available:
https://journals.ku.edu/latr/article/view/13761