Gates-Madsen, Nancy J. “Tortured Silence and Silenced Torture in Mario Benedetti’s Pedro Y El capitán, Ariel Dorfman’s La Muerte Y La Doncella and Eduardo Pavlovsky’s Paso De Dos”. Latin American Theatre Review 42, no. 1 (September 1, 2008): 5–31. Accessed December 22, 2024. https://journals.ku.edu/latr/article/view/3285.