Vol. IV, No. 2: Spring 1990

Published: 1990-03-01

ARTICLES AND STUDIES

Frontmatter

KUDPS KUDPS

1-2
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The Future of Avant-Garde Theatre and Criticism: The Case of Sam Shepard

William W. Demastes

3-18
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The Aesthetic Effect: A Search for Common Grounds Between Brecht and Lukacs

Bela Kiralyfalvi

19-30
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(Beyond) The Pleasures of the Hollywood Musical Film: A Re-Viewing of Martin Scorsese's New York, New York

G. Thomas Poe

31-50
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Foucault on Discourse: O'Neill as Discourse: LDJN (4: 125 - 154) Tyrone and Edmund

Geoffrey S. Proehl

51-62
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Toward The Dionysiac: Pagan Elements and Rites in Yerma

Robert Lima

63-82
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Zero Reason, Infinite Need: a Note on the Calculus of Lear

Barbara M. Fisher

83-96
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Krapp's Last Tape: A New Reading

Lois Gordon

97-110
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Pirandello's Enrico IV: Mussolini as Mask, History as Masquerade

Gian Balsamo

111-124
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Dramaturgy and Sentimentality in Antigone

Redmond O'Hanlon

125-140
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PERFORMANCE STUDIES

Punctuation and Interpretation in Richard II

Anthony Graham-White

141-152
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Intersections Between Feminism and Post-modernism: Possibilities For Feminist Scenic Design

Raynette Halvorsen Smith

153-164
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"Everyman and roach" in Retrospect: A Study of Street Theatre

Mimi Gisolfi D'Aponte

165-178
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Clifford Odets's Dog of Betrayal: Awake and Sing! in Performance

Robert Skloot

179-190
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RESEARCH, PLAYS, AND BOOKS

Research Opportunities in East Berlin

Yvonne Shafer

191-198
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Play Reviews

Donald E. Polzin, Yvonne Shafer, Iris Smith, Ann Massa

199-212
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Book Reviews

James Fisher, Michael Abbott

213-222
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Books Received

KUDPS KUDPS

223-226
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