Vol. VI, No. 1: Fall 1991

Published: 1991-09-01

Articles

Frontmatter

KUDPS KUDPS

1-2
- PDF
Author, Authority, and the Pedagogical Scene: Elvire Jouvet 40

Michael Vincent

5-14
- PDF
Performing Difference: Brecht, Galileo, and the Regime of Quotations

Robert Miklitsch

15-28
- PDF
Texts in Action/Action in Texts: A Case Study in Critical Method

David Z. Saltz

29-44
- PDF
The First Critical Assessments of A Streetcar Named Desire

Philip C. Kolin

45-68
- PDF
When Worlds Collide: The Stage Direction as Utterance

Patricia A. Suchy

69-84
- PDF

PERFORMANCE: ESSAYS, INTERVIEWS, REVIEWS

Drama or Performance Art? An Interview with Ntozake Shange

Serena Anderlini

85-98
- PDF
Interview with Ellen Stewart of LaMama Experimental Theatre Club, December 9, 1989

Bev Ostroska

99-106
- PDF
East Berlin Theatre Diary

Leanore Lieblein

107-124
- PDF
Play Reviews

Yvonne Shafer, Jeane Luere

125-134
- PDF

REVIEWS

Book Reviews

Ralf Erik Remshardt, Brian Rose, Susan Bennett, James Fisher, Naomi Ritter, Scott Cutler Shershow, Alice Rayner, Ann Marie McEntee

135-154
- PDF

SUPPLEMENT: CENSORSHIP, FILM HISTORY, AND FILM THEORY

Film History/Film Theory: A Search for Common Ground

G. Thomas Poe

155-158
- PDF
The "Facts" of the "Censored" Film: Theoretical and History Approaches

Garth Jowett

159-166
- PDF
Censorship: An Historical Interpretation

Gregory D. Black

167-186
- PDF
Censorship as Textual Ellipsis: A Post-Structuralist Reading of the Censored Film

G. Thomas Poe

187-208
- PDF
Textuality and History: Response to Poe and Black

Michael Ryan

209-220
- PDF
Self-Regulation and the Classical Hollywood Cinema

Janet Staiger

221-234
- PDF

RESEARCH OPPORTUNITIES

Research Opportunities in Munich

Yvonne Shafer

235-243
- PDF