Vol. VII, No. 2: Spring 1993

Published: 1993-03-01

Articles

Frontmatter

KUDPS KUDPS

1 -2
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The Audience: Subjectivity, Community and the Ethics of Listening

Alice Rayner

3-24
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Metaphors We Act By: Kinesthetics, Cognitive Psychology, and Historical Structures

Bruce A. McConachie

25-46
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The Third World and Ibsen: Production Perspectives

Sandra Hardy

47-64
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REVIEWS

Book Reviews

James Fisher, Rhona Justice-Malloy, Thomas Akstens

79-90
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Books Received

KUDPS KUDPS

91-100
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PRAXIS

Praxis: An Editorial Statement

Kent Neely, Yvonne Shafer, Marvin Carlson

65-78
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SUPPLEMENT: FEMINIST DRAMATIC THEORY AND CRITICISM

Editor's Introduction

Sarah V. Becker

101-102
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American Drama, Feminist Discourse, and Dramatic Form: In Defense of Critical Pluralism

Patricia R. Schroeder

103-118
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In the I of the Storm: The Problems With Pluralism

Jule Thompson Burk

119-132
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And What of the Night?: Fornes's Apocalyptic Vision of American Greed and Poverty

Assunta Kent

133-148
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Constructing the Subject: Timberlake Wertenbaker's The Grace of Mary Traverse

Mary Karen Dahl

149-160
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Black Feminist Criticism and Drama: Thoughts on Double Patriarchy

Omofolabo Ajayi-Soyinka

161-176
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Distance and Empathy: Constructing the Spectator of Annie Sprinkle's Post-POST PORN MODERNIST - Still in Search of the Ultimate Sexual Experience

Angelika Czekay

177-192
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"The Sisterhood of Sweetness and Light": Gender Production in American Acting Styles and Theatre Historiography

Kim Marra

193-202
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"The Doll House Show": A Feminist Theory Play

Gayle Austin

203-207
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