Vol. VIII, No. 2: Spring 1994

Articles

• Frontmatter

  KUDPS KUDPS

  1-3

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• "Make Us the Women We Can't Be:" Cloud Nine and the Female Imaginary

  Marc Silverstein

  7-22

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• "Always Be Closing": Competition and the Discourse of Closure in David Mamet's Glengarry Glen Ross

  Jonathan S. Cullick

  23-36

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• "Mente teatrale: Andrea Calmo and the Victory of the Performance Text in Cinquecento commedia"

  Paul C. Castagno

  27-58

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• The Play Intended: Giraudoux's L'Apollon

  Kenneth Krauss

  59-76

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• Doing the Dirty Work: Gendered Versions of Working Class Women in Sarah Daniels' The Gut Girls and Israel Horovitz's North Shore Fish

  Susan Chandler Haedicke

  77-88

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• Theatrics and politics of Culture in Sixteenth-Century Brazil

  Geraldo U. de Sousa

  89-102

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• Touch of Evil and Ecological Optics: Toward a Demystification of Conventional Film Editing Practice

  Mike Evces

  103-110

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• Murder Mystery Events: Playing, Myth-Making, and Smashing the Fourth Wall, All at Once

  William W. French, Janet Worthington

  111-128

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• Interview with Edward Bond

  Ian Stuart

  129-146

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• Fornes's Odd Couple: Oscar and Bertha at the Magic Theatre

  Scott T. Cummings

  147-156

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• Interview with Marcela del Río

  Yvonne Shafer

  157-162

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• An Autobiographic Ethnography of Performance in Everyday Discourse

  Ronald J. Pelias

  163-174

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• Praxis: An Editorial Statement

  Kent Neely, Graham Dixon, Marvin Carlson, Carrie Sandahl, Carol Rosen

  175-212

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• Notes on the Net

  Ronald A. Willis

  213-222

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• Book Reviews

  Thomas Akstens, Lynda Hall, Yvonne Shafer, Mary Jo Sodd, Lurana O'Malley, Laura H-B Miller, James Fisher

  223-243

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• Books Received

  KUDPS KUDPS

  245-248

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