Vol. IX, No. 1: Fall 1994

Articles

• Frontmatter

  KUDPS KUDPS

  1-2

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• Of Actors and Automata: Hieroglyphics of Modernism

  W.B. Worthen

  3-20

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• Life in a Silken Net: Mourning the Beloved Monstrous in Lydie Breeze

  Robert F. Gross

  21-42

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• Anna Deveare Smith: Perspectives on her Performance within the Context of Critical Theory

  Charles R. Lyons, James C. Lyons

  43-66

  • PDF

• Introducing the 'Hyper' Theatrical Subject: The Mise en Abyme of Empty Space

  Les Essif

  67-86

  • PDF

• Examining Critical History Through Theater: Feminist Scholarship of the 1980's and Beyond

  Cynthia Running-Johnson

  87-104

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• Revolution and the Fatally Clever Smile: Caryl Churchill's Mad Forest

  Donna Soto-Morettini

  105-118

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• The Bitch Archetype

  Ibry G-F Theriot

  119-134

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• Staging New Dimensions: Wassily Kandinsky, Der Blaue Reiter Almanac and the Reconfiguration of Artistic Space

  Leigh Clemons

  135-144

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• Playwriting and Oral History: An Interview with Playwright Lavonne Mueller

  Stratos E. Constantinidis

  145-156

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• Confessional Performance: Postmodern Culture in Recent American Theatre

  John Brockway Schmor

  157-174

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• Praxis: An Editorial Statement

  Kent Neely, Michal Kobialka, Mark Jennison, Per Brask

  175-222

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• Notes on the Net

  Ronald A. Willis

  223-234

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• Book Reviews

  Rena Cook, James Fisher, Laura H-B Miller, Jaoa Froes, Thomas Akstens

  235-248

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• Books Received

  KUDPS KUDPS

  249-254

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