Vol. XIII, No. 1: Fall 1998

Published: 1998-09-01

Articles

Frontmatter

KUDPS KUDPS

1-3
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Performance and Performatives

Graham Ley

5-18
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Invalid Representation and Despotism in the Theatre

Athenaide Dallet

19-44
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Between Immigration and Hyphenation: The Problems of Theorizing Asian American Theater

Josephine Lee

45-70
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Performing Miscegenation: Rescuing The White Slave from the Threat of Interracial Desire

Diana R. Paulin

71-86
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"Responsibility in Our Own Hands"

Joan Herrington

87-102
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Rehearsing Dramaturgy: "Time is passing"

Geoffrey S. Proehl

103-112
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The Politics of Dramaturgy

John H. Lutterbie

113-120
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Feminism and Dramaturgy: Musings on Multiple Meanings

Gayle Austin

121-124
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Dramaturgy in Community-Based Theatre

Susan Chandler Haedicke

125-132
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Chicanas/Latinas in Performance on the American Stage: Current Trends & Practices

Elizabeth Ramirez

133-142
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Playing with the Borders: Dramaturging Ethnicity in Bosnia

Sonja Kuftinec

143-156
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Praxis: An Editorial Statement

Kent Neely

157-160
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"The Reason I've Been Talking About all of These Dead People: Cultural Resistance in Laurie Anderson's Nerve Bible"

Woodrow Hood

161-176
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Saints and Cyborgs: Mystical Performance Spaces (Re)visioned

August W. Staub, Michael J. Hussey

177-182
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Iphigénie en Tauried. By Christoph Willibald Gluck. Glimmerglass Opera, Cooperstown, New York. 19 August 1997

Robert F. Gross

183-186
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LES ENFANTS TERRIBLES. A dance-opera spectacle based on the story by Jean Cocteau. Adapted by Phillip Glass and Susan Marshall. Presented by the Arts Festival of Atlanta. Robert Ferst Center for the Performing Arts, Georgia Institute of Technology, Atlant

Steve Earnest

187-190
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Book Reviews

Michael Abbott, Thomas Akstens, James Fisher, Theresa Smalec

191-202
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Books Received

KUDPS KUDPS

203-207
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