Vol. XIV, No. 1: Fall 1999

Published: 1999-09-01

Articles

Frontmatter

KUDPS KUDPS

1-2
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Staging Aphasia: Jean-Claude Van Itallie's The Traveller

Gene A. Plunka

3-16
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The Glass Menagerie and the Transformation of the Subject

Granger Babcock

17-36
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Flow: An Interview with Marty Pottenger

Leslie Atkins Durham

37-48
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"What am I to say while I pour these funeral offerings": Stage Image, Word and Action in Aeschylus's Libation Scenes

Nurit Yaari

49-64
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Raging Mothers: Maternal Subjectivity and Desire in the Dance Theater of Martha Graham

Katharine Power

65-78
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Life to Those Shadows: Kevin Brownlow Talks about a Career in Films

John C. Tibbetts, James M. Welsh

79-96
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NAWPA: An Editorial Statement

Sharon L. Sullivan

97-98
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Native Women Playwrights: Transmitters, Healers, Transformers

Mimi Gisolfi D'Aponte

99-108
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The Native American Women Playwrights Archive: Adding Voices

Rebecca Howard

109-116
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Tribalography: The Power of Native Stories

LeAnne Howe

117-126
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Further (Farther):Creating Dialogue To Talk about Native American Plays

Diane Glancy

127-130
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Colonial Audiences and Native Women's Theatre: Viewing Spiderwoman Theatre's Winnetou's Snake Oil Show from Wigwam City

Ann Haugo

131-142
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Blending Time: Dramatic Conventions in Yvette Nolan's Annie Mae's Movement

Christy Stanlake

143-150
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Here Is Gone and I Could Not Hear It: Using Coatlicue Theatre Company's Open Wounds on Tlalteuctli to Compare Performance Studies and Theater Methodologies

ViBrina Coronado

151-156
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Praxis: An Editorial Statement

Kent Neely

157-158
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Frontiers: Environmental History, Ecocriticism and The Kentucky Cycle

Theresa J. May

159-178
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Review of Le Cid by Pierre Corneille

Loren Ringer

179-182
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Book Reviews

Rachel Fensham, James Fisher, Gene A. Plunka

183-196
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Books Received

KUDPS KUDPS

197-199
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