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  3. Vol. XV, No. 2: Spring 2001

Vol. XV, No. 2: Spring 2001

Published: 2001-03-01

Articles

  • Frontmatter

    KUDPS KUDPS
    1-2
    • PDF
  • Forays into Grammelot: The Language of Nonsense

    Erith Jaffe-Berg
    3-16
    • PDF
  • Theorising the Individual Body on Stage and Screen; or, the Jizz of Martin Guerre

    Richard Fotheringham
    17-32
    • PDF
  • Immolations: Rites of Sacrifice on the Stages of Frederico GarcĂ­a Lorca

    Robert Lima
    33-48
    • PDF
  • Representation and the Unpresentable

    Charles Campbell
    49-68
    • PDF
  • "(silence)": Scripting [It], Staging [It], on the Page, for the Stage

    Clark Lunberry
    69-84
    • PDF
  • "Intimacy" and "Separating Strangeness" in W.B. Yeats's Drama

    Natalie Crohn Schmitt
    85-96
    • PDF
  • Melodic Speech Patterns in the Traditional Japanese Kyogen Theatre

    Zvika Serper
    97-114
    • PDF
  • "The Arithmetic and Logic of Life": The Forces of Commerce and Capital in a Revival of Edward Bulwer-Lytton's Money

    James Fisher
    115-132
    • PDF
  • Joe Orton: A High Comedy of Bad Manners

    Joel Greenberg
    133-144
    • PDF
  • High Ambivalence: S.N. Behrman's Disembodiment Project

    Robert F. Gross
    145-162
    • PDF
  • Philip Barry and the Yankee Aristocracy

    Steve Vineberg
    163-170
    • PDF
  • Book Reviews

    Stephen Di Benedetto, James Fisher, Ana Kithe, Erica Kylander-Clark, Stanley V. Longman, Carol Schafer
    171-198
    • PDF
  • Books Received

    KUDPS KUDPS
    199-202
    • PDF

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Journal of Dramatic Theory and Criticism. ISSN 0888-3203.
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