Vol. XVI, No. 2: Spring 2002

Articles

• Frontmatter

  KUDPS KUDPS

  1-2

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• The Body as Fluid Dramaturgy: Live Art, Corporeality, and Perception

  Stephen Di Benedetto

  4-16

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• Considering Disability: Disability Phenomenology's Role in Revolutionizing Theatrical Space

  Carrie Sandahl

  17-32

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• A Pop Parade of American Fantasy: Staging National Identity in The Mother of Us All

  Leslie Atkins Durham

  33-46

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• The Pedophile in Me: The Ethics of How I Learned to Drive

  Andrew Kimbrough

  47-68

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• African Heritage from the Lenses of African-American Theatre and Film

  I. Peter Ukpokodu

  69-94

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• Homophobic Criticism and Its Disguises: The Case of Stanley Kauffman

  Doug Arrell

  95-112

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• Theatre After the Fall

  Jennifer Parker-Starbuck

  113-118

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• The Meaning of Tragedy: Literary Pattern vs. Performance Form

  Julian Meyrick

  119-132

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• The Scientist as Byronic Hero: Michael Frayn's Copenhagen

  August W. Staub

  133-142

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• Hedda Gabler: Revisiting Style and Substance

  Rhonda Blair

  143-154

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• Negotiating Between Then and Now: Directing Ibsen's Hedda Gabler

  John Staniunas

  155-162

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• Mapping Desire: Couching Hedda and Eilert's Conversation in Act II of Hedda Gabler

  Michale A. Connolly

  163-172

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• Book Reviews

  James Fisher, Sidney Berger, Anne Maximovich Enenbach, Ben Fisler, Anna Jensen

  173-190

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• Books Received

  KUDPS KUDPS

  191-194

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