Vol. XIX, No. 2: Spring 2005

Articles

• Frontmatter

  KUDPS KUDPS

  1-2

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• The Whole Thing is over by Nine O'Clock': The Rude Mechs's Adaptation of Greil Marcus's Lipstick Traces

  Patricia Ybarra

  7-30

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• Fading Away: Remembering to Forget What Theatre Was

  John Freeman

  31-42

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• Ritual and Identity in Late Twentieth-Century American Drama

  Peter Nesteruk

  43 - 70

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• Violence, tragedy, and Race in Kia Corthron's Wake Up, Lou Riser

  Lisa M. Anderson

  71-86

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• Multilateral and Holistic Perspectives in Contemporary Performance Theory: Understanding Patrice Pavis's Integrated Semiotics

  Scott Taylor

  87-110

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• Woody Allen's New Trilogy?

  Maurice Yacowar

  111-126

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• Performing the "Really" Real: Cultural Criticism, Representation, and Commodification in The Laramie Project

  Jay Baglia, Elissa Foster

  127-145

  • PDF