Vol. XXI, No. 2: Spring 2007

Articles

• Frontmatter

  KUDPS KUDPS

  1-2

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• Call for Papers

  KUDPS KUDPS

  3

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• Making the Obscene Seen: Performance, Research and the Autoethnographical Drift

  John Freeman

  7-20

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• Theatrical Space

  James R. Hamilton

  21-48

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• Ibsen's A Doll's House Reimagined in Guare's Marco Polo Sings a Solo

  Robert J. Andreach

  49-64

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• A Blind Spot: Chekhov's Deepest Horizons

  Stuart Young

  65-78

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• Tom Murphy's Bailegangaire as Comedy of Redemption

  Richard Rankin Russell

  79-100

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• "Let's take the mysticism out of it, shall we?": Habitus as Conflict in Mamet's Oleanna

  Dan Kulmala

  101-124

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• (Refuting) Arguments for the End of Theatre: Possible Implications of Cognitive Neuroscience for Performance

  Rhonda Blair

  125-134

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• Introduction

  Erica Stevens Abbitt

  135-138

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• "There is no keyhole in my door": Musings on Visibility and the Power of the "Unmarked" in The Children's Hour

  Sally Shedd

  139-142

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• Getting Out, Flying and Returning from the Dead: Girl Ghosts in Live Performance

  Erica Stevens Abbitt

  143-152

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• Absence in Naomi Wallace's The Trestle at Pope Lick Creek

  Gwendolyn N. Hale

  153-160

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• Embodied Absence and Theatrical Disbersement

  Johanna Frank

  161-172

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