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Vol. XXI, No. 2: Spring 2007
Vol. XXI, No. 2: Spring 2007
Published:
2007-03-01
Articles
Frontmatter
KUDPS KUDPS
1-2
PDF
Call for Papers
KUDPS KUDPS
3
PDF
Making the Obscene Seen: Performance, Research and the Autoethnographical Drift
John Freeman
7-20
PDF
Theatrical Space
James R. Hamilton
21-48
PDF
Ibsen's A Doll's House Reimagined in Guare's Marco Polo Sings a Solo
Robert J. Andreach
49-64
PDF
A Blind Spot: Chekhov's Deepest Horizons
Stuart Young
65-78
PDF
Tom Murphy's Bailegangaire as Comedy of Redemption
Richard Rankin Russell
79-100
PDF
"Let's take the mysticism out of it, shall we?": Habitus as Conflict in Mamet's Oleanna
Dan Kulmala
101-124
PDF
(Refuting) Arguments for the End of Theatre: Possible Implications of Cognitive Neuroscience for Performance
Rhonda Blair
125-134
PDF
Introduction
Erica Stevens Abbitt
135-138
PDF
"There is no keyhole in my door": Musings on Visibility and the Power of the "Unmarked" in The Children's Hour
Sally Shedd
139-142
PDF
Getting Out, Flying and Returning from the Dead: Girl Ghosts in Live Performance
Erica Stevens Abbitt
143-152
PDF
Absence in Naomi Wallace's The Trestle at Pope Lick Creek
Gwendolyn N. Hale
153-160
PDF
Embodied Absence and Theatrical Disbersement
Johanna Frank
161-172
PDF
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