Vol. XXII, no. 2: Spring 2008

Articles

• Front Matter

  KUDPS KUDPS

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• Religious Experience as a Model for Emotional Experience in Theatre

  David V. Mason

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• Marina Abramović and the Re-performance of Authenticity

  Jessica Chalmers

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• Clytemnestra’s Net: Aeschylus’ Oresteia and the Text of Tapestries

  Megan Shea

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• Introduction: Semiotic Analysis of Avant-Garde Performance

  Yana Meerzon, Eli Rozik

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• Sense and Sensation: Exploring the Interplay Between the Semiotic and Performative Dimensions of Theatre

  Erika Fischer-Lichte

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• A Candle of Darkness: Multiplied Deixis in Roberto Ciulli's "King Lear"

  Jerzy Limon

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• Mixed Media and Mixed Messages: Big Art Group’s Exploration of the Sign

  Marvin Carlson

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• Diagrams, Formalism, and Structural Homology in Beckett’s Come and Go

  Irit Degani-Raz

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• How Do You Read a Sign that No One Has Ever Seen Before? A Post-Semiotic Analysis of Chance-Driven Events

  Dean Wilcox

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• Back matter

  KUDPS KUDPS

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