Abstract
Through the lens of the postcolonial theories of Frantz Fanon and Homi K. Bhabha, this study analyzes a recently published play by Nora Glickman, Liturgias (2000). It explores the motivations and processes of masking and unmasking, of simulacrum and authenticity, of Sephardim who today are still facing the stigma of being Jewish in a society that has yet to shed the discriminatory and inquisitorial signs of anti-Semitism. (JCC, in Spanish)All items © The Center of Latin American Studies and Caribbean Studies, The University of Kansas, Lawrence, Kansas 66045, U.S.A. Authors: If you prefer to remove your text(s) from this database please contact Dr. Stuart A. Day (day@ku.edu)
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