A mulher que comeu o mundo: Dramaturgia do ator e multiplicidade da cena
DOI:
https://doi.org/10.17161/latr.v41i1.1605Abstract
This article analyzes the process of creation of the play A mulher que comeu o mundo, from the Brazilian group Usina do Trabalho do Ator, in which the author of this paper is also the actor and director. There are many aspects to be considered in this text about the process of creation, such as the concept of actor as playwright or the dramaturgy of the performer and their effects on the scene. It also intends to discuss the differences and similarities between two versions of the same play (on stage and on street) and to analyze the function of the director as well as the ideas about the autonomy of art and of the actor. (GI, Article in Portuguese)Metrics
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All items © The Center of Latin American Studies and Caribbean Studies, The University of Kansas, Lawrence, Kansas 66045, U.S.A. Authors: If you prefer to remove your text(s) from this database please contact Dr. Stuart A. Day (day@ku.edu)
How to Cite
Icle, Gilberto. “A Mulher Que Comeu O Mundo: Dramaturgia Do Ator E Multiplicidade Da Cena”. Latin American Theatre Review, vol. 41, no. 1, Sept. 2007, pp. 111-20, https://doi.org/10.17161/latr.v41i1.1605.