Vol. III, No. 2: Spring 1989

Published: 1989-03-01

ARTICLES AND STUDIES

Frontmatter

KUDPS KUDPS

1-2
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The Iconic Stage

Marvin Carlson

3 - 18
- PDF
Ibsen's Beginnings

Thomas F. Van Laan

19-36
- PDF
Thinking and Talking About Acting: Re-Reading Sonia Moore's Training an Actor

Phillip B. Zarrilli

37-52
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Literacy, Tyranny, and the Invention of Greek Tragedy

Tobin Nellhaus

53-72
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Relative Identity and Ideal Art: The Pirandello Conflict and Its Political Analogy

Michael L. Quinn

73-86
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Ibsen's Brand: Drama of the Fatherless Society

Wolfgang Sohlich

87-106
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The Case for Dramatic Notation

Burnet M. Hobgood

107-134
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An Interview with David Rabe

Philip C. Kolin

135-156
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Self and Sexuality: Contemporary British Women Playwrights and the Problem of Sexual Identity

Susan Carlson

157-180
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PERFORMANCE: STUDIES AND COMMENTARY

Lee Breuer's Theatrical Technique: From The Animations to Gospel at Colonus

Kent Neely

181-192
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Plays in Performance

Glen Q. Pierce, Yvonne Shafer, Robert M. Kosson

193-214
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SPECIAL SUPPLEMENT: THEATRE HISTORIOGRAPHY

History Like Theatre: An Introduction to Three Essays on New Theatre Historiography

Weldon B. Durham

215-218
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The Theatre Historian in the Mirror: Transformation in the Space of Representation

Rosemarie Bank

219-228
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Reading Context Into Performance: Theatrical Formations and Social History

Bruce A. McConachie

229-238
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Theatre History: The Quest for Instabilities

Michal Kobialka

239-252
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