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  3. Vol. XVI, No. 1: Fall 2001

Vol. XVI, No. 1: Fall 2001

Published: 2001-09-01

Articles

  • Frontmatter

    KUDPS KUDPS
    1-2
    • PDF
  • The Faith-Based Initiative of the Theater of the Absurd

    Herbert Blau
    3-14
    • PDF
  • The Biblical Subtext in Beckett's Waiting for Godot

    Ann Bugliani
    15-38
    • PDF
  • Chekhov's The Three Sisters: Exploring the Woman Question

    Carol Schafer
    39-58
    • PDF
  • Stalin's Face: On History and its Deconstruction in Howard Barker's The Power of the Dog

    Stephen Weeks
    59-80
    • PDF
  • Critical Modes and the "Rebellious" Playwright: Pinter's Alaska, Stoppard's Arcadia

    Yael Zarhy-Levo
    81-98
    • PDF
  • "A Kind of Painful Progress": The Benjaminian Dialectics of Angels in America

    Roger Bechtel
    99-122
    • PDF
  • Phenomenology and the Dramaturgy of Space and Place

    John H. Lutterbie
    123-132
    • PDF
  • Theory and Philosophy Roundtable: Boundaries, Definitions, Provocations

    Sara Freeman
    133 - 136
    • PDF
  • Theory on the GrayLine Tour

    Michael Vanden Heuvel
    137-142
    • PDF
  • Philosophy and Theory

    Jon Erickson
    143-148
    • PDF
  • Why Performance Theory Needs Philosophy

    David Z. Saltz
    149-154
    • PDF
  • Theatre: Philosophy, Theory, and Criticism

    Noël Carroll, Sally Banes
    155-166
    • PDF
  • Book Reviews

    James Fisher, Carol Schafer, D. Dean Shackelford
    167-176
    • PDF
  • Books Received

    KUDPS KUDPS
    177-183
    • PDF

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Journal of Dramatic Theory and Criticism
Online ISSN 2165-2686, Print ISSN 0888-3203

This electronic edition is supported by the University of Kansas Libraries

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