Abstract
In his groundbreaking study on the Theatre of the Absurd, Martin Esslin suggests a connection between Greek tragedy and the twentieth-century movement. The connection is made explicit in Matías Montes Huidobro's Oscuro total. The play has as its pre-text a real episode: the 1989 killing, in California, of José and Mary Louise ("Kitty") Menéndez by their sons Lyle and Erik. Montes Huidobro takes the horrifying, real tale of a dysfunctional family in the United States and re-creates it as a powerful meld of classic Greek tragedy and contemporary absurdist theatre of cruelty. (PZ)All items © The Center of Latin American Studies and Caribbean Studies, The University of Kansas, Lawrence, Kansas 66045, U.S.A. Authors: If you prefer to remove your text(s) from this database please contact Dr. Stuart A. Day (day@ku.edu)
Metrics
Metrics Loading ...