Abstract
The emergence of the Independent Theatre movement was a determining factor in promoting theatrical modernization in Argentina. This study shows how Independent Theatre spurred the negation of national models and exercised a form of patricide that was much more effective than previous attempts at aesthetic and ideological rupture. The most important impetus behind modernization was Roberto Arlt, whose extraordinarily innovative work established rich intertextual dialogue with European models.All items © The Center of Latin American Studies and Caribbean Studies, The University of Kansas, Lawrence, Kansas 66045, U.S.A. Authors: If you prefer to remove your text(s) from this database please contact Dr. Stuart A. Day (day@ku.edu)
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