Feminist Metatheatricalism: Escofet's Ritos del corazón
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Palavras-chave

Specific Literature
Argentinian literature
Time Period
1900-1999
Subject Author
Escofet
Cristina
Subject Work
Ritos del corazón
Literary Genre
drama
Group
(by) feminist dramatists
Other Terms
(as) metatheater
Literary Technique
dramatic te

Como Citar

Zatlin, Phyllis. “Feminist Metatheatricalism: Escofet’s Ritos Del corazón”. Latin American Theatre Review, vol. 35, nº 1, setembro de 2001, p. 17-26, https://doi.org/10.17161/latr.v35i1.1356.

Resumo

The protagonist of Cristina Escofet’s Ritos del corazón is a writer who cannot escape the feminine myths of the past, among them, her own youthful self. The action takes place in a theatre, where historical characters, in search of an audience, come to act out their roles. Featuring an all-female cast, Ritos del corazón evokes "personajes de la realidad eterna" ranging from women of earlier centuries, to icons of twentieth-century popular culture, to members of Laura’s own family, including her mother as a ten-year old who does not want to get married and have children. Through its metatheatrical and comic strategies, the play effectively deconstructs gender roles, revealing their performativity. (PZ)
PDF (Inglês)

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