Resumo
Four works of Latin American/Chicano theatre are examined in terms of their construction of the queer body: Nelson Ro drigues’s O beijo no asfalto; Luis Alfaro’s "Cuerpo politiza di"; Virgilio Piñera’s Una caja de zapatos vacía; and Copi’s Eva Perón. Of interest is the demonstration of how social ideologies of sexuality, particularly homophobia, mean that it cannot be a question of works of cultural production simply "representing" the queer body, but rather of "creating" it as part of a particular structure of sexual semiotics. (DWF)All items © The Center of Latin American Studies and Caribbean Studies, The University of Kansas, Lawrence, Kansas 66045, U.S.A. Authors: If you prefer to remove your text(s) from this database please contact Dr. Stuart A. Day (day@ku.edu)
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