Resumo
This study focuses on the most recent dramatic production of Víctor Hugo Rascón Banda, that is, on the works written during the last lustrum, a period of significant changes that is intensified because of his hospitalization between 2000 and 2004 and the extended reclusion at home in between, a time in which he was practically isolated because of his illness and subjected to horrible treatments. Such changes are fundamentally stylistic, of elements of form, and are reflected above all in the emotional tone of extreme sensitivity that impregnates such texts as Sazón de mujer, Table dance, El ausente, El diván, Ahora y en la hora, El deseo, Hotel Juárez, Apaches y Cautivas. (EM, in Spanish)All items © The Center of Latin American Studies and Caribbean Studies, The University of Kansas, Lawrence, Kansas 66045, U.S.A. Authors: If you prefer to remove your text(s) from this database please contact Dr. Stuart A. Day (day@ku.edu)
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