Technological Tattooing and Science Fiction

Auteurs

  • Catarina Pombo Nabais Universidade de Lisboa & Universidade de Évora

DOI :

https://doi.org/10.17161/aion.v3i1.25536

Résumé

The text analyzes technological tattooing (tech-tattoo) as a contemporary reconfiguration of the ancestral practice of tattooing, situated within the context of the Anthropocene and societies of control. Unlike traditional tattooing, the tech-tattoo is not limited to a visual inscription on the skin, but involves the implantation of biotechnological, digital, and intelligent devices that transform the body into an interactive, networked surface. The text describes tech-tattoos as biowearables, produced using electroconductive inks and biosensors capable of capturing, measuring, and transmitting the body’s biochemical data. Although they are still largely situated within the realm of science fiction and laboratory research, these devices are presented as technologies intended to become permanent and widely disseminated. Examples analyzed include the Soundwave Tattoo, which combines tattooing and sound files; DermalAbyss, which monitors glucose, sodium, and pH levels through chromatic variations in the skin; and the thermo and photoactive tattoos developed by Carson Bruns. Beyond the technical dimension, the article highlights the philosophical and biopolitical implications of the tech-tattoo. By penetrating the opacity of the body and revealing internal data, this technology intensifies the mechanisms of surveillance characteristic of societies of control, shifting the disciplinary model toward a more intrusive and immanent biopolitical regime. The body thus becomes simultaneously an object and an agent of control, continuously connected to algorithmic systems.

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Publiée

2026-10-08